The 1982 Movie Poltergeist Used Real Skeletons as Props – tymoff

The 1982 Movie Poltergeist Used Real Skeletons as Props – tymoff

Introduction

Of course, today no one can refute the fact that The 1982 Movie Poltergeist Used Real Skeletons as Props – tymoff .which was shot a fairly long time ago, in 1982, is one of those films that can be called a horror movie. ; The film was directed by Tobe Hooper and produced by Steven Spielberg; The film was thereby succeeded in having nerve-wracking and suspenseful actions praised. However, the movie-making trivia that has left many surprises is the fact that real skeletons were used as props during the actual shooting of the movie, this trivia has remained one of the most shocking and controversial in recent years. The 1982 Movie Poltergeist Used Real Skeletons as – tymoff

Real Skeletons Used as Props

The last scene is rather shocking: JoBeth Williams, who essays the role of Diane Freeling, is body rolled into a swimming pool full of skeletal remains. Perhaps, most viewers did not know that these skeletons were real and not plastic models of the human body. The reason that real skeletons were used was that according to the shockers, the purchase of the plastic models for the students would have required more cash than the real bones did.

• Scene Details: This particular scene is in the later part of the movie when already, the Freeling family house is already under the attack of the other side. Diane, driving her husband’s car while attempting to free her children, slides into a partially built swimming pool, which is brimming with muddy water and skeletons. These skeletons contribute a gruesome feel to the movie with their presence and ratchet up the horror that is being experienced both by the characters and the viewer. The 1982 Movie Poltergeist Used Real Skeletons as – tymoff
• Authenticity vs. Ethics: It could have been even better had real skeletons been incorporated into the movie as this would have created a more real horror touch but at the same time created a lot of ethical concerns. Real bones and skeletons being used in art appear to be somewhat macabre and the practice of using actual human bodies in works of art could be considered distasteful and in some instances even abusive since the subjects’ consent cannot be obtained.

The Poltergeist Curse

Unfortunately, the information that real skeletons were used created a large number of rumors and various legends, which formed the “Poltergeist Curse.” An array of unpleasant incidents and mishaps that have befallen the filming staff after the shooting of the said movie has been attributed to the curse. Among the most notable incidents were: The following are among the most significant malpractices: 

• Heather O’Rourke: Unfortunately the young actress who portrayed Carol Anne Freeling met her death at the early age of 12. The common misconception of a non-serious stomach bug led to septic shock which eventually killed her. Her death wasn’t shown in detail and came rather unexpectedly, which was rather sensational and contributed to the film’s unknown legend.
•  Dominique Dunne: Actress Dominique Dunne who featured as the older sister, Dana Freeling was killed by her ex-boyfriend not long after the film was made. She was only 22 years old at the time, and her passing should be considered a cruel and sudden occurrence that struck the sphere of cinema.
• Other Incidents: The other members of the cast also met ill-fated circumstances, and maybe that’s why these movies carry a curse Julian Beck, an actor in ‘Poltergeist II,’ died of cancer of the stomach, and Will Sampson, who did an exorcism on set for ‘Poltergeist II. ’ He died of complications arising from surgery. 

These and others have been cited to have contributed to speculation that the real-life skeletons which where used in the film brought a curse on the producers of the film.

Ethical Concerns

Due to the real skeletons used in “Poltergeist”, there are many ethical issues associated with using human remains in movies. It rose to popularity that most studios of that time used real bones for these scenes but the technique receives a lot of criticism today. In this regard, modern productions can afford to use intricate replicas to deal with such ethical issues.

• Industry Standards: The use of real skeletons has been particularly common in Hollywood for many a year, mostly because of the authenticity that the shots give on the screen. That is, as the awareness among the public and the ethical code rises, the industry has switched to providing high-quality replicas.
• Consent and Respect: The first major ethical issue to consider is the utilization of human remains without the subjects’ permission. With time, people are becoming wary of the fact that irrespective of the utilization of the remains, the remains deserve to be accorded some form of recognition. These changes have had a knock on effect on the guidelines and the practices within the film industry.

Conclusion

Ironically, the use of real skeletons has been disputed for violating the rights of the dead, but they have made the movie “Poltergeist” a cultural classic due to its gory plot and creative conveying of the plot through optical effects. But of course, when real bones are used, it just reminds the viewer of how far some filmmakers would go to make a movie horrifyingly realistic.

• Legacy of “Poltergeist”: Poster for the film Poltergeist directed by Tobe Hooper made in 1982 Many viewers dispel the film as one of the most effective horror films ever intended, yet this did not just harm them. That skeletal heads were real sufficiently demonstrates the view the movie went quite far in staying true to the gruesome reality, if not in involving the actors.

The 1982 Movie Poltergeist Used Real Skeletons as Props – tymoff

• Looking Forward: It is for this reason that after watching this movie, one can admire the art done but at the same time consider the need for ethical practice in the making of movies. It can be said that “Poltergeist” is one of the most impacting films of the past, which has left lessons for modern film production and directing, which underlines respect for the deceased and their dignity in pursuing the concept of realistic horror films.